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毕业论文-中国茶染艺术在现代家居纺织品中的设计与运用，共58页，17936字
中文摘要
进入 21 世纪，在全球呼唤“生态、绿色、环保”的大潮下，健康与环保已
经成为人们越来越关注的主题，生态环保与健康舒适的功能性纺织品也逐渐成
为国内外纺织市场流行的热点。在倡导低碳生活的这个时代，家居用品也应该
被赋予更多绿色、低能耗的设计理念。
中国是茶叶之乡，茶文化作为中国文化的一大分支，在中国传统文化中起
着非常重要的作用。茶染艺术作为茶文化的一个组成部分，既有茶文化的底蕴，
又与生态环境相容性好、染料可降解再生等优点，且兼具一定的保健功效，非
常符合当今人对于生活的一种品味需求。
本文主要介绍和探讨了中国茶染艺术如何与现代家居纺织品相融合，使现
代家居生活更加具有环保性、文化性、趣味性。染色试验着重研究红茶、绿茶、
抹茶在不同染色条件下对棉、麻、丝以及棉麻混纺面料的染色特性。对普洱茶
砖、碧螺春、抹茶三种茶在不同条件下的染色效果进行试验，共染色布近 80 块，
三种茶染色试验共得到六种色系，分别是红色系，橘色系，黄色系，绿色系，
紫色系，灰色系，共染色成品布近 30 米。总结现有条件下不同面料对于不同茶
叶染色的特性，从中挑选出特性与设计主题“拼味生活”相符合的面料进行实
物制作。“拼味”生活》系列一共制作室内纺织品 24 个。类型包括坐垫、抱枕、
桌布、杯垫、装饰画。《“拼味”生活》结合七巧板拼接的理念，实现了家居纺
织品功能化和多样化，非常适合于现代年轻人小居室，小空间的环境。这些靠
垫可以让使用者充分发挥想象力来更加合理的运用自己的室内空间。在布置空
间的过程中也同时感受茶染所带来的趣味性，文化性。从而最终符合当今人们
对如健康、低碳、环保、舒适、文化内涵、实用性等家居生活品质更深入的要求。
关键词：中国茶染；现代家居；环保设计；纺织品应用

ABSTRACT
In the 21st century, people all over the world advocate the theme "ecological,
green, environmental protection". The health and environmental protection has
become a growing topic of concern, environmental protection and health and
comfort of functional textiles textile market has gradually become a popular hot spot
at home textile market in the whole world. However, market research shows that
today's green, environmentally friendly, low energy consumption, with a design
concept of sustainable development of home textiles is extremely rare. In this era of
promoting low-carbon living, the design of household goods should also be
environmental and low-power.
China is the hometown of tea, tea culture as a major branch of Chinese culture,
in traditional Chinese culture plays a very important role. Tea dyeing art as an
integral part of tea culture, has absorbed the content of tea culture, also has the
advantage of being compatible with good ecological environment and renewable. It
does good to people‘s health and fit in well with the aesthetic needs of today’s
people.
This paper focuses on black tea, green tea, Matcha tea under different
conditions applying on cotton, linen, silk and cotton blended fabrics. Use tea bricks,
Biluochun, three Matcha tea to do dyeing experiments under different conditions. In
the experiments, a total of nearly 80 dyeing cloth has been produced, six hue has
been produced from three different kinds of tea, which are red, orange, yellow, green,
purple, gray. A total of nearly 30 meters finished fabric has been used during dyeing
process. Results of tea dyeing using different tea under various conditions on various
fabrics are very different. Appropriate dyeing fabric has been chosen to be made into
design collection named “Assemble Life”.
The collection contains 24 products of 5 types, which are cushion, pillow,
tablecloth, coaster, decorative painting. "Assemble life" was made from the idea of
tangram, to achieve being functional and diversity in the home-textiles. It is perfect
for very little room and the small space environment for modern young people, The
cushions allows the user to make better use of their indoor space with their
imagination. During the layout process people can feel the fun and culture brought
II
by tea dyeing. Ultimately it satisfies the needs in depth of current people, such as
being healthy, low-carbon, environmentally friendly, comfortable, function, and
good taste for home textile.
Keywords：Chinese tea dyeing; morden home; eco-design; application of textile

目录
第 1 章
引 言 1
研究依据与背景 ... 1
研究内容与现状 ... 1
研究目的与意义 ... 3
研究方法 ............... 3
第 2 章
文献阅读 .......... 3
市场调研 .......... 4
设计实践 .......... 4
中国茶染艺术与现代家居生活............ 6
茶染艺术的魅力 ... 6
现代家居生活 ....... 7
现代家居风格概述 ............ 7
现代家居生活在装饰上的体现 .......... 8
第 3 章
茶染艺术与现代家居生活方式的融合 ... 8
茶染艺术染色工艺试验.... 10
茶染染色试验所用材料 ....... 10
3.2 实验前期准备及介绍 .............. 11
3.3 实验结果 ................ 12
棉质面料茶染染色试验 .. 12
麻质面料茶染染色试验 .. 15
丝质面料茶染染色试验 .. 18
第 4 章
扎染工艺的茶染试验 ........... 21
小结 ... 22
茶染艺术在毕业设计中的实践.......... 23
设计方案定位 ..... 23
风格 ................ 23
消费人群 ........ 23
工艺 ................ 24
设计方案 ........ 24
4.2 《“拼”味生活》设计实践...... 28
4.3 《“拼”味生活》在家居中的运用实践.... 31
4.4 经验小结 ............... 34
第 5 章
结论 37
总结 ... 37
研究成果 ............. 38
进一步开展的工作 ............... 39
插图索引........ 40
参考文献........ 42
致 谢............ 43
声明............ 44